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	<title>Mojo Blog</title>
	<link>http://otakusurvivalguide.com/components/com_mojo</link>
	<description>Just another WordPress wannabe</description>
	<pubDate>Sat, 31 May 2008 07:10:53 +0000</pubDate>
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		<title>A History of Costume Addiction :: Cosplay Mayhem P1</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,15/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,15/#comments</comments>
		<pubDate>Mon, 19 May 2008 00:20:05 +0000</pubDate>
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		<description><![CDATA[Now cosplay is an extremely personal and individual creation. I won&#8217;t claim to be an expert, but I&#8217;ve been around, done my own costumes, and generally enjoyed the experience. Cosplay can be a lot of fun and a lot of hard work, and it&#8217;s up to you how you balance the two. I&#8217;ve seen costumes [...]]]></description>
			<content:encoded><![CDATA[	<p>Now cosplay is an extremely personal and individual creation. I won&#8217;t claim to be an expert, but I&#8217;ve been around, done my own costumes, and generally enjoyed the experience. Cosplay can be a lot of fun and a lot of hard work, and it&#8217;s up to you how you balance the two. I&#8217;ve seen costumes that took a year to make and costumes that were created over the week beforehand (or the night before).<br />
<br />
Some of my advice might seem obvious, some might make the reader go &#8220;duh&#8221; in retrospect.  In writing the column to be helpful for the general reader, it&#8217;s necessary to start at the beginning. If you already enjoy cosplay a lot, I suggest you check out <a href="http://www.cosplay.com">cosplay.com</a>, where there seems to be an expert in every aspect of costuming, from making your eyes look Japanese to the intricacies of how to sew with different materials.   And never underestimate the help of a crafty family member. Sure, they might look at you funny, but plenty of parents, grandparents, and others are happy to help out.<br />
 <br />
<strong>The History of Making Excuses to Wear Costumes when It&#8217;s Not Halloween</strong><br />
As anime cons made their way into America back in the 80s, cosplay was immediately a popular event. Cosplay is the name used by otakus to distinguish it from that of a Masquerade, which is the typical term for the costume events at a science-fiction or comic con.<br />
<br />
Masquerades often served as the only event where people were in costume, and the rest of the weekend would be filled with &#8220;normal&#8221; clothing. This difference in costuming attitudes is one of the reasons for the name distinction. Cosplayers at an anime convention often also hold themselves to a higher standard of acting in character, a trait that was brought over from Japanese counterparts.<br />
 <br />
So in other words, the term cosplay only refers to costumes related to Japanese medias, or at least that&#8217;s how the most serious cosplayers define it. I&#8217;ve seen long debates break out on message boards about what exactly is allowed as part of cosplay. Some people will go so far as to say that video games, even when based on games from Japan like Zelda or Super Mario Brothers, are not permitted in the cosplay events. The term cosplay is beginning to creep into the general lexicon as a word that just means dressing in costume, and every year I see more and more cosplayers at anime conventions dressed as American creations.<br />
 <br />
<center><img src="http://otakusurvivalguide.com/theotaku/cosplaysleep.jpg"><br />
By <a href="http://www.nightambre.net/">Nightambre</a><br />
<em>Get ready, get set… start sewing all night long!</em></center><br />
<br />
Most actual cosplay events do place standards on the costumes, meaning they have to have something to do with anime. While it might be fun to wear your Harry Potter costume around the con (and I saw a wonderful Harry Potter cosplay group at Anime Expo once), those wouldn&#8217;t be acceptable entries in the actual cosplay events. We may see a lessening in the stringency of these rules over the coming years as arguments for shows like Avatar are made. It will also depend on the focus of the event—some are more focused on anime in America, while others keep to a more traditional &#8220;anime is only from Japan&#8221; approach.<br />
<a id="more-15"></a><br />
Okay, next I&#8217;m going to go into some of the basics of different steps used to put together your costume, from tackling a pattern to thrift store scavenging (my personal favorite&#8211;almost all my costumes are recreated from thrift store clothes). I would love to read extra advice in the comments; I know plenty of knowledgeable people hang out on theOtaku. If you want to post more detailed cosplay advice on your theOtaku Worlds or myOtaku, please let me know, and I&#8217;d be happy to link to you.
</p>
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		<title>Navigating Corporate Interests :: Otaku the World P4</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,14/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,14/#comments</comments>
		<pubDate>Sat, 03 May 2008 05:08:26 +0000</pubDate>
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		<description><![CDATA[Navigating Corporate Interests
Communicating with companies comes with its own set of headaches. Unlike conventions, it&#8217;s not quite as easy to get involved yourself, though future career plans can come out of a desire to bring a change to the industry. Most of the time, the way to enact change is to write a lot of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Navigating Corporate Interests</strong><br />
Communicating with companies comes with its own set of headaches. Unlike conventions, it&#8217;s not quite as easy to get involved yourself, though future career plans can come out of a desire to bring a change to the industry. Most of the time, the way to enact change is to write a lot of letters, gather together people who feel the same way, and simply make a polite pest of yourself.   There&#8217;s a fine line between being effective and being obnoxious, and you&#8217;ll have to do your best to walk it.<br />
<br />
The first place to start is with a good plan of what you want to accomplish. I&#8217;ve been having some good PM discussions with a member of theOtaku about bringing anime movies to local movie theaters, so let&#8217;s use that as an example. The problem is that the local/small town theaters aren&#8217;t getting movies like Howl&#8217;s Moving Castle, even though they&#8217;re being distributed to some bigger theaters.   So first step is to contact the local theaters and express an interest in them putting on a viewing of the movie, even if it&#8217;s only a limited engagement of a week or a night. Since this is a local issue, it&#8217;s probably more effective to go to the theater and talk to the manager than to write a letter. It&#8217;s much harder to say no to or ignore a person face to face than with a letter.<br />
<br />
From talking with a manager or owner, we can then decide where the problemlies. Is the movie theater owned by a corporation or is it completely local? How do they get their movies? Most movie theaters are owned by a larger corporation, even if they may not appear to be. When this is the case, just talking to the manager isn&#8217;t going to be enough. The local manager may very well not be getting the choice to show the movies to begin with. That&#8217;s why you need to start writing to the company in charge and ask for them to give your local theater or area the choice to view these movies. This step will take patience, and the more people you can get involved, the better. </p>
<p>Remember that your local anime clubs and conventions can be a great way to meet like-minded people. You can even meet others who might have done a similar campaign in their hometown. The internet likewise serves as a place to meet others and find out how they&#8217;ve changed things. Since many companies are national, you might find someone else who dealt with the same company in a different part of the country.<br />
<br />
The above example also holds true for most contact with a store, TV channel, etc. Many of the places you interact with in your daily life are owned by a larger corporation or have their distribution determined by someone else. Still, the local people do have some say, and making your opinion known to them is crucial, because they&#8217;re interacting with the parent companies as well.<br />
<br />
As soon as you make a difference, get that anime viewing at the local theater or convince the cable company to carry a new channel, make sure you throw your own promotion efforts into it as well. Tell all your friends, all the local high schools and colleges, and make sure that everyone who might be interested shows up. The more money you can make for that company, the more interested they will be in bringing more of the same kind of thing into the area.<br />
<br />
<center><img src="http://otakusurvivalguide.com/theotaku/teriphone.jpg" alt="null" /><br />
Image by<a href="http://beehivestudios.koojisites.com/"> Bee </a><br />
<em>Starting a revolution can involve a lot of time on the phone.</em></center><br />
<br />
<a id="more-14"></a><br />
<strong>Promote Your Interests Throughout Your Daily Life</strong><br />
Finally, you never know when your interests are going to make a difference. Not only do you want to get the corporations to take note, but you also want to let those around you know there&#8217;s something cool they&#8217;re missing out on. The more vocal you are about your interests, the more likely you are to give other people something new to try or to find out that the cheerleader in the corner is also totally addicted to Shojo Beat. Allies are always helpful in getting your point across.<br />
<br />
On a smaller scale, you might not even be that interested in changing what the corporations do or what events your local anime convention hosts. Instead, you might just want manga recognized as a literary form at your school. I&#8217;ve always been very vocal about my interests in anime and shifted many a school project towards an anime focus. I&#8217;ve had teachers who thought anime and manga were the lowest forms of media, down there with soap operas, and others who appreciated a different cultural look on  pop culture.   Experiment and try to bring your interests out where you can in life. It&#8217;s useful to not only change the opinions of big corporations, but to also change how the rest of America sees anime. The more mainstream it gets (I know, some people want to see it stay a sub-culture geek thing… but…), the more companies are going to give us options in our viewing and merchandise. In Japan, manga and anime are such broad terms that it&#8217;s like saying &#8220;I like TV, I like books,&#8221; and the more mainstream it gets over here, the more new companies are going to give us choices in what we see. Even with all the fansubbers and scanlators out there, we only see a fraction of the choices.<br />
<br /> <br />
Hopefully over the last month&#8217;s articles I&#8217;ve helped you learn a bit about the current industry, how to go about affecting change within conventions and corporations, and how to give effective criticism. I know everyone won&#8217;t agree about fansubs or the correct method for becoming involved, but that&#8217;s because there are no easy answers. My goal is to open your eyes to the other side, give my readers a starting point for their own journeys.<br />
<br />
Next time I plan to talk about cosplay. Feel free to ask questions now or as next month goes on, and I will try to cover those questions. </p>
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		<title>Otaku the World P3 :: Conventions *are* run by the fans</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,13/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,13/#comments</comments>
		<pubDate>Thu, 20 Mar 2008 07:43:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<category>Uncategorized</category>
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		<description><![CDATA[Conventions *are* run by the fans
Anime conventions started out of a combination of fans getting together to watch fansubs and anime related panels at science fiction conventions. They have always been fan run and continue along that path. Sure, some of the big conventions have to answer to sponsors and need a lot of rules [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Conventions *are* run by the fans</strong><br />
Anime conventions started out of a combination of fans getting together to watch fansubs and anime related panels at science fiction conventions. They have always been fan run and continue along that path. Sure, some of the big conventions have to answer to sponsors and need a lot of rules and by-laws to keep the peace when they have 20K+ attendees, but most of your local conventions continue to be fan run. Even the big conventions do not pay their staff, convention chairs, or board members (to the best of my knowledge), with the possible exception of a stipend to cover gas, hotel, or food.<br />
<br /> <br />
So, what this means to you, the average attendee, is that there is a lot you can do to affect how conventions are run. First off, most panels are run by fans who know something and want to   teach others, so if you think there is a topic that is lacking, then next year volunteer to lead that panel. Leading a panel usually requires no more commitment than volunteering (or filling out a panel request) to show up at the correct time and have something to say.<br />
<br />
The other more direct ways to affect a conventions, besides leaving feedback on websites and with staff, is to participate at the convention as a staff member or<br />
volunteer. Most conventions are set up with a hierarchy that runs along the lines of: Convention Chair -> Department Heads -> Staff Members -> Volunteers. All of these people are crucial to making the weekend enjoyable and run smoothly. Now, volunteers often only participate during the actual weekend (though local ones may be asked to help stuff bags, assemble nametags, etc. before the convention) and they are the ones checking badges, handing out water bottles, etc. They are the grunt labor that frees up staff members to take care of bigger problems and to make sure that everything else is running smoothly. Most conventions allow you to sign up as a volunteer onsite without a prior commitment. If you have a few hours to kill, it&#8217;s a great way to do some good and meet new people.<br />
<center><img src="http://otakusurvivalguide.com/theotaku/mistybadges.jpg" alt="" /><br />
Art by <a href="http://www.nightambre.net/">Nightambre</a><br />
<em>Volunteers for everything from badge checking to guest wrangling are needed to make sure a convention runs smoothly.</em></center><br />
<br /><a id="more-13"></a><br />
Staff members have a higher level of commitment usually. They tend to work most of the weekend and are in charge of individual areas or tasks, often working under a department head. Working as staff will get you a lot more exposure to the inner workings of an anime convention, as well as allow you to network. Typically, staff need to attend meetings occasionally (every few months to once a month) in the city that the convention will be held. Still, if you want to work as staff and know you can&#8217;t make most of the meetings, you can talk to the department head that you want to work for and see what can be worked out. Some jobs don&#8217;t require a lot of prep ahead of the convention, but need lots of knowledgeable helping hands at the event itself.<br />
<br />
Age is always a concern with these kinds of things, and you&#8217;ll have to check with the convention itself for their policies. Some allow volunteers as young as 13, whereas others don&#8217;t let you until you are 18. Staff ages vary as well, and some conventions don&#8217;t mind kids volunteering with their parents. If you can&#8217;t volunteer yet, just remember, it&#8217;s not because they think you&#8217;re too immature or don&#8217;t want you to volunteer, it&#8217;s almost always an issue of liability risks.<br />
<br /> <br />
How does being staff/volunteer help change the way a convention is run?  Because it&#8217;s the staff and volunteers who are running it. If you&#8217;ve gone to the same convention for a few years, you might notice a major difference between two years in how an event is run. Each department head that comes in depends on their staff to help them make decision and give them feedback on what works. Staff are needed before the event to generate ideas and strategies to help it run smoothly. Just being a volunteer or staff member also puts you in touch with the people who make the upper level decisions and they depend on you to be their eyes and ears at the event. The head of cosplay may be stuck in the back room making sure that everyone lines up correctly, therefore they might never see for themselves that people in the back row couldn&#8217;t hear or see very well with this year&#8217;s set up.<br />
<br />
So remember, conventions are run to give anime fans a fun place to hang out, learn, and meet guests at. But, it does cost them a lot of money. It can costs just 10K alone for the hotel, 20K for a convention center, money that quickly adds up. As I said before, the people running these conventions are not making money any profit for themselves, they are running it because they are fans too. Keep in mind the costs when making a suggestion to a convention. Very few can afford to bring over Japanese guests, so don&#8217;t be surprised when they ignore your request for that. On the other hand, you might be able to suggest some great low cost event that they can run or help them find a way to ask a more unusual guest to attend. The more details you can give with your request, the more plausible it becomes for them to fulfill it.<br />
<br />
I&#8217;m also going to address a few common complaints now: space, noise, and food. These three things are most often the biggest problem (or at least most noticeable) at a convention. Unfortunately, due to extremely complicated contracts, they&#8217;re also issues that the staff has the least control over. Every space being used costs the convention money, and there&#8217;s no perfect set up plan. It seems like no matter how hard the convention tries, there is always something wrong with the placement of events. Maybe the video rooms have crummy soundproofing or the artists alley is off in an undisclosed location, and if you point these things out to staff members, you may get grumbled responses or excuses on how it&#8217;s not their fault. Chances are, by the end of the convention they&#8217;re very tired of hearing this complaint. A good convention staffer probably figured out the problem half an hour after opening ceremony, but there just wasn&#8217;t anything they could do. Food is another issue that gets hotly debated with the hosting location. Most contracts prevent the convention from selling refreshments, and any food will be provided through the hotel/convention center. So food is going to vastly depend on the location. I&#8217;ve seen some conventions work out great buffets and others where the best they could do is the give attendees maps to local restaurants. You might think conventions have great bargaining tools, but they don&#8217;t. Most cities only have one or two venues that can support an anime convention (due to the number of smaller rooms a convention needs available for a multitude of programming), and hotels don&#8217;t really care about hosting conventions. A hotel would much rather have a wedding on Saturday and Sunday than a convention, because a wedding involves catering, which is where the hotel makes a good portion of their money.<br />
<br />
And one last note: The way to change your local conventions is *not* to start your own. Most of the country is oversaturated with conventions and starting your own is not the answer in most cases. If you do study the situation and still think that your convention is the answer, then you need to staff at at least five different conventions, preferably one for multiple years and then a few different ones, so that you get a full taste of what it entails to run a convention. I&#8217;ve helped start one that is going into its fourth year now, and the two years that I staffed/ran/lived it consisted of a lot of conversations with the two other people in charge that went along the lines of &#8220;I slept 5 hours last week.&#8221; &#8220;Okay, you won, I got seven hours.&#8221;   Trust me, it takes a lot of money, time, energy, and sanity to start your own.</p>
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		<title>Anime Britney Spears</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,12/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,12/#comments</comments>
		<pubDate>Tue, 18 Mar 2008 20:49:22 +0000</pubDate>
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		<description><![CDATA[In a really 
good marketing move, Britney Spears has decided to do her latest video in an anime style. 

Whether or not you like Britney, I do think she was once very good at marketing herself and 
her image (until the last few years of constant dumb moves) and this could be what she needs [...]]]></description>
			<content:encoded><![CDATA[<p>In a really </p>
<p>good marketing move, Britney Spears has decided to do her latest video in an anime style. </p>
<p>
Whether or not you like Britney, I do think she was once very good at marketing herself and </p>
<p>her image (until the last few years of constant dumb moves) and this could be what she needs to </p>
<p>reconnect with her core demographic, teen/tween girls. This also disconnect her with the music a </p>
<p>little, which could help with parents who don&#8217;t like the rolemodel she&#8217;s been setting </p>
<p>lately.<br />
<br />
I don&#8217;t really care for the song, but I think the video is far more entertaining </p>
<p>than most. It does a good job of telling a short story.<br />
<br />
<object width="448" height="374"> </p>
<param name="movie" value="http://www.worldstarhiphop.com/videos/e/0x777777/wshh8k8LxvrPm7dlD2SA" />
<param name="allowFullScreen" value="true" />
<param name="quality" value="high" /> <embed </p>
<p>src="http://www.worldstarhiphop.com/videos/e/0x777777/wshh8k8LxvrPm7dlD2SA" quality="high" </p>
<p>type="application/x-shockwave-flash" allowFullscreen="true" width="448" height="374"></embed> </p>
<p></object><br />
<br /> <br />
Originally found this on <a href="http://www.jossip.com/isnt-britney-spears-</p>
<p>already-a-cartoon-20080313/">jossip.com</a><br />
<br />
Oddly enough as I type up this post, I can hear </p>
<p>CNN in the other room talking about this very video. Of course, they are mostly talking about her messy </p>
<p>court case and custody battles.
</p>
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		<title>Otaku the World P2 :: Critique vs. Criticism</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,11/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,11/#comments</comments>
		<pubDate>Mon, 17 Mar 2008 06:18:38 +0000</pubDate>
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		<description><![CDATA[One of the 
most underrated skills online, in my opinion,  is that of giving effective feedback. Critique vs. 
criticism, feedback vs. &#8220;you suck.&#8221; Anyone who&#8217;s ever put their creative works and heart and soul out 
there on the internet or in real life probably has a few stories about bad experiences with a less [...]]]></description>
			<content:encoded><![CDATA[<p>One of the </p>
<p>most underrated skills online, in my opinion,  is that of giving effective feedback. Critique vs. </p>
<p>criticism, feedback vs. &#8220;you suck.&#8221; Anyone who&#8217;s ever put their creative works and heart and soul out </p>
<p>there on the internet or in real life probably has a few stories about bad experiences with a less than </p>
<p>helpful reviewer. So this week I&#8217;m going to focus on feedback. Now, I&#8217;m talking about it in the sense </p>
<p>of giving conventions and corporations feedback about the products and events that you like or that you </p>
<p>think can be improved.   Still, these pointers apply to artists, writers, or co-workers, and remember, </p>
<p>when you talk to conventions and corporations, there are real people on the other end who are getting </p>
<p>your feedback.<br />
<br />
<strong>Giving Effective Feedback</strong><br />
Feedback can be a very </p>
<p>effective tool, when given in a coherent and comprehensive manner. Sometimes by being the first one to </p>
<p>speak up, you can encourage others with the same opinions to speak up as well.   Many conventions host </p>
<p>wrap-up panels at the convention itself as well as posting a comments thread on their message board. </p>
<p>Use these venues to let the convention know what you thought. Just make sure what you&#8217;re telling them </p>
<p>is productive and useful. Also, scan through the previous comments to see what others have said; </p>
<p>someone may have touched on the subject already. Which isn&#8217;t to say you shouldn&#8217;t add your opinion, </p>
<p>but by building off of their comment, you encourage that person to keep posting as well as unify the </p>
<p>fact that multiple people were upset. We&#8217;ll talk a little more about what&#8217;s useful to complain about </p>
<p>and what will be ignored later on when we talk more about conventions.<br />
<br />
<center><img </p>
<p>src="http://otakusurvivalguide.com/theotaku/badcritique.jpg" height="442" width="426" border="0" </p>
<p>/><br />
<em>By<a href="http://beehivestudios.koojisites.com/"> Bee</a><br />
For example, critiquing like </p>
<p>that will may cause the person to never try again. At the very least, it will most likely make them so </p>
<p>angry they don &#8216;t want to consider anything you say, even if you might have some valid points.</em> </p>
<p></center><br />
<br />
<a id="more-11"></a><br />
Likewise, this can work for companies , as many host message boards </p>
<p>or post their e-mail address. There&#8217;s some argument among letter writers about whether it&#8217;s more </p>
<p>effective to send an e-mail or a letter. An e-mail can promote a dialogue between you and the </p>
<p>representative as well as be a quicker read, but it runs the risk of being overlooked or not taken </p>
<p>seriously. A letter these days can be seen as overly formal to some, but it does give you the </p>
<p>appearance of being more serious about the matter, since it takes more energy to write out a letter, </p>
<p>print, and mail it than to simply send off an e-mail. Either format can be effective, though if you&#8217;ve </p>
<p>got an actual petition I personally think a hardcopy with signatures looks more formal and imposing </p>
<p>that just an e-mailed list. Also, don&#8217;t overlook the value of a phone call in some cases.   </p>
<p>
When dealing with corporations, you will most likely have to write many letters and make </p>
<p>phone calls when you can.   The first step will be tracking down the chain of command and figuring out </p>
<p>who actually has the power to make the changes you want.  If your trying to get more anime into your </p>
<p>local theater or more manga into the bookstore, you may very well find out that their order decisions </p>
<p>are limited by those above them. Still, making your concerns known to the local people is a good step, </p>
<p>as you might find that some of them are sympathetic to your cause and willing to join in your fight. </p>
<p>For example, most of the bookstores I&#8217;ve been to that had excellent and well-stocked manga selections </p>
<p>had those because there was a staff member who liked manga. It works for any genre or product, that if </p>
<p>there is a staff member that appreciates it, they will make sure the section is the best it can be. </p>
<p>Even the staff at your local Barnes and Noble does have a limited amount of control over what goes on </p>
<p>to their shelves. It&#8217;s far more limited than that of someone at an independent store, but they do have </p>
<p>some power.<br />
<br />
One thing you should always remember when giving feedback is to start with </p>
<p>something positive.  There must be something you like about the event/company, or else you wouldn&#8217;t be </p>
<p>bothering to try to improve them. Saying something like &#8220;I admire the quality of anime programming that </p>
<p>you are bringing to movie theaters across the country and would like to see more titles offered to my </p>
<p>local theaters.&#8221; Is a   much better way to start out than just saying &#8220;Why aren&#8217;t we getting any anime </p>
<p>in my small town?&#8221; By starting on a positive note, you immediately let them know that they are doing </p>
<p>things that you really like, and therefore it makes them more receptive to your criticism. People tend </p>
<p>to get defensive if they just hear a complaint and are much more likely to disregard your comments as </p>
<p>just you not understanding their vision or intent.<br />
 <br />
I hope you enjoyed this week&#8217;s </p>
<p>discussion and that it will be useful in your daily life, as we all end up in situations where giving </p>
<p>feedback is necessary and useful. Next week I&#8217;ll be covering how conventions are run for the fans and </p>
<p>hopefully giving you a bit of insight into the workings of your local convention. Feel free to leave </p>
<p>questions here.
</p>
]]></content:encoded>
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		<title>Women in Anime</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,10/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,10/#comments</comments>
		<pubDate>Sun, 02 Mar 2008 20:13:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">/?p=10</guid>
		<description><![CDATA[I just found 
a paper I wrote a few years ago for a class on Women in Pop Culture. I wrote about the depiction of 
women in anime, done as a magazine with multiple articles.  Here is the full pdf -http://otakusurvivalguide.com/genreproject.pdf- and below is an exceprt of my section on 
sterotypes. I wrote this [...]]]></description>
			<content:encoded><![CDATA[<p>I just found </p>
<p>a paper I wrote a few years ago for a class on Women in Pop Culture. I wrote about the depiction of </p>
<p>women in anime, done as a magazine with multiple articles.  Here is the full pdf -<a </p>
<p>href="http://otakusurvivalguide.com/genreproject.pdf </p>
<p>">http://otakusurvivalguide.com/genreproject.pdf</a>- and below is an exceprt of my section on </p>
<p>sterotypes. I wrote this a few years ago, so don&#8217;t judge me on my design skills&#8230; or writig for that </p>
<p>matter. But the info is still good.<br />
<br />
<strong>Anime Women:<br />
Common Role Models and </p>
<p>Sterotypes</strong><br />
<br />
Anime was once seen as a boy’s past time. An anime convention </p>
<p>consisted of a bunch of guys getting together to watch anime and not shower for a weekend.  These days </p>
<p>though, girls have taken over the anime scene.  Women have always been a crucial part of anime itself, </p>
<p>shojo making up a large percentage of manga sales in Japan, but over the last ten years in America, the </p>
<p>female otaku has come to dominate the marketplace.<br />
<br />
With this influx of female viewers, it</p>
<p>s important to look at the women on the screen, the women that young otakus are seeing and relating </p>
<p>to. Are the women of anime only the hentai school girls that are being raped by tentacle monsters? The </p>
<p>ditzy bimbos who follow a guy around to fulfill his every wish?  No.  The women of anime are much more </p>
<p>than that; they represent a broad spectrum of women and types, from the smart best friend, the ditzy </p>
<p>but world saving magical girl, to the head of a vampire hunting organization.  Women in today’s anime </p>
<p>are taking a dominate role in their stories, both in anime aimed at women, and that aimed at </p>
<p>men.<br />
<br />
When looking at the women of anime, we see a variety of types.  There is the passive </p>
<p>girl who only lives for a guy.  This type of girl most usually shows up in shounen anime, usually as a </p>
<p>member of the main boy’s harem. A few shoujo mangas might get close to this though, with a main girl </p>
<p>who seems incapable of doing anything without the males help.  In a shoujo manga though, the main girl </p>
<p>will usually learn to stand on her own by the end. In the same stereotype of shounen harem girls, we </p>
<p>have the aggressive girl who goes after the boy and won’t let anything stand in her way. Ryoko from </p>
<p>Tenchi Muyo is like that, and as shown on our reader survey, women have a very mixed opinion about her </p>
<p>for this. Some respected her for the way she goes after Tenchi, while others thought her love for him </p>
<p>made her weak.  Because of her multi-facets though, she is a good role model for girls.  Many of these </p>
<p>women can be either a positive or negative role model, and it’s up to women to know *why* they like </p>
<p>or dislike a chosen girl. Through analyzing our responses, we come learn a lot about </p>
<p>ourselves.<br />
<br />
Because of the many different types of anime, shoujo and shounen, we will stick </p>
<p>to some of the basic groups below, and some of the stereotypes of women that appear in </p>
<p>them.<br />
<br />
<a id="more-10"></a><br />
<strong>Shounen Harem</strong><br />
Centered on a nice guy who is a klutz </p>
<p>around girls, some circumstance always conspires to surround him with women.  These can be action </p>
<p>series like Tenchi Muyo where there is a galactic sub-plot or high school dramas like Oh! My Goddess </p>
<p>and Love Hina but the central plot is the relationship between the guy and the girls.  Here we mostly </p>
<p>either see the very passive girl who gets shy and quiet around the main guy and the aggressive girl who </p>
<p>either pursues the guy or gets violent when (often accidentally) pursued by the boy.  Misunderstandings </p>
<p>are often major plot devices and the other girls around the guy and main girl(s) tend to push the main </p>
<p>pairings together, while getting crushes on the guy.<br />
<br />
<strong>Shoujo </p>
<p>Harem</strong><br />
Somehow or another, the main girl finds her self forced into saving the world.  And </p>
<p>along the way, she needs the help of some incredible hot guys. Like the shounen harem, usually at least </p>
<p>one of the guys is aggressive in pursuing the main girl, and the girl is always forced to choose from </p>
<p>at least two guys.  Typically, this choice is between the rouge and the prince.  One who she feels </p>
<p>passion for and the other who she knows will treat her like a queen. Fushigi Yuugi is a central example </p>
<p>of this, with Miaka the priest being protected by her seven male guardians.  Her rival and best friend </p>
<p>Yui has some females in her guardian group, but Miaka only has males, two of whom actively pursue her </p>
<p>and a third that seems intent on doing so also, until circumstances get in the way. Miaka’s downfall </p>
<p>is that she tends to be rather weak with out her male protectors, as is usually the problem for girls </p>
<p>in these anime.  At the end, they always get themselves together when the lives of their friends are on </p>
<p>the lines though, but these women are often seen as weak and helpless by the fans.  This isn’t helped </p>
<p>in America by the fact that the dubbing is usually done by very high pitched girls, one of the quickest </p>
<p>ways to turn fans off of a female character.<br />
<br />
Another less offensive girl is Himeno from </p>
<p>Pretear. She is better role model because she takes a larger part in her own role, refusing to just be </p>
<p>slated as the new Pretear. A retelling of Snow White magical girl style, her seven dwarfs are replaced </p>
<p>by seven hot guys (well, three are adorable kids). As a magical girl, she actually has power, thought </p>
<p>it is reliant on “merging” with one of the guys, to create a more ultimate form of his elemental </p>
<p>power.  Still, she is an active participant in her destiny, unlike Miaka who only exists to be the </p>
<p>priestess and let the guys do her work.<br />
<br />
<strong>Magical Girls</strong><br />
The above shoujo </p>
<p>harem series can also be seen as magical girl series, in which an ordinary girl finds out she is the </p>
<p>inheritor of great power, or sometimes she makes it for her self. Sailor Moon is the most classic </p>
<p>example, being extremely popular around the world and the first female oriented show brought to </p>
<p>America.  In this, Serena finds out that she is the Moon Princess, and along with her four sailor </p>
<p>scouts she must protect the world from the evil of the Negaverse.  Spanning around 200 episodes, it is </p>
<p>a tale of love and friendship.  Serena resonates with a lot of teenage girls because she has flaws; she </p>
<p>is clumsy and scared, yet willing to stand up for her friends and do the job when it’s needed. She </p>
<p>doesn’t get the hang of things right away, but has to learn how to take over her new role.  For girls </p>
<p>just entering the new world of high school, she and other magical girls are great role models for how </p>
<p>to take on the scary aspects of life.<br />
<br />
Along with the main girl, if the anime contains a </p>
<p>group of magical girls, then we have another set of stereotypes.  Someone always has a fiery temper, </p>
<p>while another is boy crazy, and yet another can’t be dragged away from her books and actually reads </p>
<p>the instruction manual before trying out a new magical item. This is another reason why the magical </p>
<p>girl genre connects with so many girls, because there is usually a character for everyone to connect </p>
<p>with.<br />
<br />
<strong>High School Drama</strong><br />
Just like American high school drama books, the </p>
<p>manga and anime ones deal with the trails and tribulations of being a girl or guy in high school.  </p>
<p>Filled with tests and love, friends and betrayal, these women must struggle with growing up while still </p>
<p>being treated like a kid by their parents.  The typical shoujo high school drama centers on either a </p>
<p>“normal” girl or a very shy girl.  If she is a shy girl, she typically ends up falling in love with </p>
<p>the school bad boy, who of course has a heart of gold, and he transforms her into a self confident </p>
<p>woman.  This can be both a negative and positive role model, since she needs the man to help her make </p>
<p>the transition, but at the same time she accepts the transition and finishes it herself, the man </p>
<p>usually is only the instigator. The other kind usually involves an average high school girl, who like </p>
<p>in shoujo harem anime, must choose between two guys. It’s usually pretty easy to tell who she will </p>
<p>choose, but some books are very good at keeping the reader in suspense. These are popular with women </p>
<p>readers because they tend to be the most similar to their lives, and many high school girls like to </p>
<p>read an idealized romance.<br />
<br />
<strong>Adventure</strong><br />
Adventure anime and manga tend to </p>
<p>cross gender lines more than anything else. Shows like InuYasha, Slayers, and Fullmetal Alchemist blur </p>
<p>the line between shounen and shoujo, but the closest way to tell is to look at the gender of the main </p>
<p>character. Even then, these shows are enjoyed by males and females a like and usually contain many </p>
<p>strong women.<br />
<br />
Every adventurer needs a best friend or traveling companion of the opposite </p>
<p>gender. This person usually works to be their love interest, though the adventure genre doesn’t </p>
<p>usually spend a lot of time pairing them up.  Shows like InuYasha are more obvious that by the end the </p>
<p>couples will be together, but other shows like Slayers require the fans to read between the lines.  </p>
<p>This is why fan fiction is so popular for these types of show, the fans want to finish the romances </p>
<p>since the authors won’t finish them before the series is over.  And these series can run for </p>
<p>years.<br />
<br />
The strong and wise female is another stereotype, typically not traveling with the </p>
<p>group but necessary to give them advice and courage. Often a teacher like Izumi from Fullmetal </p>
<p>Alchemist she can serve as a surrogate mother since adventures seem to rarely have living parents. </p>
<p>
The strong sidekick woman is another necessity, like Sango in InuYasha or Amelia in Slayers </p>
<p>she is there to help with the fight and fulfill the role that the main girl can’t cover. She can be a </p>
<p>fighter like Sango or a healer like Amelia, but she usually has talents that are opposite to the main </p>
<p>girl. These women are usually strong, like most of the women in adventure anime, and while they might </p>
<p>face some trials, they will get through them better than ever.  Family trauma tends to follow them, </p>
<p>with lots of reasons to angst and feel sorry for themselves, yet they battle through and don’t spend </p>
<p>nearly as much time as they could justify on angsting.<br />
<br />
There are many other anime styles, </p>
<p>mecha, apocalyptic, horror, etc, but most of those women fall under the styles listed above, especially </p>
<p>within adventure.  Most of the women in anime begin in these models, but break out of them with careful </p>
<p>characterization and carry-through by the authors. Overall, anime is an excellent place for young women </p>
<p>to see female role models and learn to respect their characteristics.
</p>
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		<title>What 

Rowlings vs. the Harry Potter Lexicon could mean to Fandom</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,9/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,9/#comments</comments>
		<pubDate>Fri, 29 Feb 2008 20:51:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">/?p=9</guid>
		<description><![CDATA[For those of 
you who like fan fiction, fan art, and other fan pursuits, I think the J.K. Rowling lawsuit against the 
Harry Potter Lexicon book will be an interesting case to watch.

I think some people might 
just see it as her trying to protect her money, but really it’s about protecting the copyright.  [...]]]></description>
			<content:encoded><![CDATA[<p>For those of </p>
<p>you who like fan fiction, fan art, and other fan pursuits, I think the J.K. Rowling lawsuit against the </p>
<p>Harry Potter Lexicon book will be an interesting case to watch.<br />
<br />
I think some people might </p>
<p>just see it as her trying to protect her money, but really it’s about protecting the copyright.  By </p>
<p>giving fans a free reign online, it encourages fandom.  Even the unauthorized “what’s going to </p>
<p>happen next” books aren’t exactly competition and not paid attention to too much by the publishers.  </p>
<p>But a book like the Lexicon does use her characters and her world as its entire basis.  So the question </p>
<p>becomes, because it’s a reference book, will the courts allow it?<br />
<br />
Honestly, I don’t </p>
<p>know.  But if they are allowed to publish, it will make fans a lot braver about publishing things that </p>
<p>might be copyright infringement, like other reference books or even fan art.  Of course, it all depends </p>
<p>on why exactly the court would say they are allowed to publish the book. But the author would lose some </p>
<p>control over who published what using their name and world. The reason Rowling is fighting this isn’t </p>
<p>so much against the Lexicon, but the precedence it could set for other who want to take her work and </p>
<p>make money off of it.  And many of those people would not be doing it with the fans best interests in </p>
<p>mind, but instead to make money. So it becomes an issue of she can’t let one person do it, because </p>
<p>that sets the precedent.<br />
<br />
Anyways, for fans of all kinds of works, I think this case will set </p>
<p>some new standards and question old fan accepted copyright rules.<br />
<br />
The Leaky Cauldron has a </p>
<p>wonderful article discusing all the copyright elements in play with this case. <a href="http://www.the</p>
<p>-leaky-cauldron.org/2008/2/28/jkr-wb-respond-in-lexicon-suit">Link.</a><br />
<a </p>
<p>href="http://legionseagle.livejournal.com/28285.html?view=700797#t700797">Top Ten Hints For Stopping An </p>
<p>Awkward Situation Turning Into an Multi-Part Farce</a>- A great look at the hole RDR keeps digging </p>
<p>themselves into.<br />
<br />
Here is an interesting case study comparing the court cases of a Seinfeld </p>
<p>trivia book and a parody book, The Wind Done Gone.<br />
<a </p>
<p>href="http://www.ivanhoffman.com/seinfeld.html">http://www.ivanhoffman.com/seinfeld.html</a>
</p>
]]></content:encoded>
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		<title>Otaku the World - Part 1 - The Otaku&#8217;s Influence on Anime 

Companies</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,8/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,8/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 06:53:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">/?p=8</guid>
		<description><![CDATA[A lot of teen 
otakus don&#8217;t know how vital they are in determining the current fate of the otaku world. Or at the 
very least, they don&#8217;t know how to go about making a change.   So, I&#8217;m going to talk about what you 
can do, no matter what age you are, to try [...]]]></description>
			<content:encoded><![CDATA[<p>A lot of teen </p>
<p>otakus don&#8217;t know how vital they are in determining the current fate of the otaku world. Or at the </p>
<p>very least, they don&#8217;t know how to go about making a change.   So, I&#8217;m going to talk about what you </p>
<p>can do, no matter what age you are, to try to influence conventions and companies. </p>
<p>
<strong>Otakus *can* change the world (or at least the anime world)</strong><br />
Anime in </p>
<p>America has always been fan driven. It was the original geeks in their basements, watching bad video </p>
<p>quality fansubs, who originally started a national interest. Corporations have stepped in, releasing </p>
<p>new shows and manga series, but it&#8217;s still in response to what fans are in favor of. Without fan </p>
<p>support, anime would have never become the mainstream phenomenon that it is today, and it would still </p>
<p>be regulated to flipped manga and a limited shelf at Best Buy.<br />
<br />
Likewise, conventions are </p>
<p>run by the fans and for the fans.  Even as anime conventions thrive throughout the country, they pride </p>
<p>themselves on being run for the fans.<br />
<br />
That&#8217;s why I want to talk today about what you can </p>
<p>do to help shape the coming anime world and make your opinion known. Who knows how far your campaign </p>
<p>for change will get; it all depends on how much energy you throw into it and what strategies you take. </p>
<p>Age doesn&#8217;t matter when making a change&#8211;it&#8217;s just something to take into account and factor in. </p>
<p>Maybe it means you can&#8217;t drive as far (unless you&#8217;ve got a parent on your side), but sometimes you </p>
<p>can get more media attention because you&#8217;re young and society finds it novel that you&#8217;re taking a </p>
<p>stand. There is no sure-fire way to bring about change, but there are a lot of ways to try.   </p>
<p>
<center><br />
<img src="http://otakusurvivalguide.com/theotaku/terivolunteering.jpg" alt="" </p>
<p>/><br />
Art by <a href="http://gubaba.digiscent.net/">Cinnie</a><br />
<em>Only you can prevent low </p>
<p>attendance numbers!</em><br />
 </center><br />
<br />
<a id="more-8"></a><br />
<strong>Your Dollars </p>
<p>Matter</strong><br />
It&#8217;s very easy today to simply download what you want to watch when it comes to </p>
<p>anime.  There is a certain seduction to getting something for no cost, to be able to watch it before </p>
<p>it&#8217;s even released in America, and without taking a trip to the store. Keep in mind, though, that for </p>
<p>every show or manga that you download instead of buy, that&#8217;s an opinion that&#8217;s not being heard. </p>
<p>
Somebody has probably told you to vote with your dollar before, but these days there&#8217;s </p>
<p>also the conflicting idea of freedom of information, of freeware software versus Microsoft and Apple.   </p>
<p>Well, as much as you like not having to pay, keep in mind that anime costs money to make.  Every show </p>
<p>you download is a show that doesn&#8217;t see your money as profit.<br />
<br />
&#8220;But I don&#8217;t like the dub!&#8221; </p>
<p>you might say, as a justification for just getting the fansub.  Well, the Japanese companies that made </p>
<p>the original project are still counting on the money they get from licensing the title. The money you </p>
<p>spend on a US licensed title does get back to the creators in a roundabout way. By making money on this </p>
<p>project, the US companies are encouraged to buy more licenses. So while maybe downloading Death Note </p>
<p>instead of buying it won&#8217;t hurt the makers of Death Note, because a US company already bought it, it </p>
<p>might hurt the next creator trying to sell to the US company that lost money on Death Note due to </p>
<p>downloaders.<br />
 <br />
Yes, fansubs and scanlations serve a role in the anime life cycle.  It </p>
<p>allows Americans to see shows and mangas that haven&#8217;t made it over here yet. But if you want to see </p>
<p>more of those titles, American fans also have to buy what comes out over here. In fact, in some cases, </p>
<p>a title can be more popular in America, leading to more episodes in Japan (Big O is the classic </p>
<p>example).<br />
<br />
So, what I&#8217;m getting at is if you want to see more of something, you need to buy </p>
<p>what&#8217;s already out. That&#8217;s not to say that you should buy anything just to support anime, but you </p>
<p>should buy what you like. Try it out and get introduced to the show/manga however you like, but if you </p>
<p>want more, support it with your dollars.<br />
</p>
<p>This goes for local stores as well. If you </p>
<p>want to see a larger selection close to home, then make whatever purchases you can at a local place. </p>
<p>Complaining that your home town store doesn&#8217;t carry anime doesn&#8217;t do anything, even if you complain </p>
<p>directly to the store.   On the other hand, going to the store and special ordering it will show the </p>
<p>store owners that there is an economic benefit to carrying the product.<br />
</p>
<p>Again, don&#8217;t </p>
<p>overspend just to get things locally, but when you can, support the places. Personally, I have a five </p>
<p>dollar rule. I will pay five dollars over what I would pay to buy a title online (including S&#038;H) in </p>
<p>order to buy a title locally and have it immediately in hand.<br />
 </p>
<p>Well, next week I&#8217;ll </p>
<p>talk about giving feedback in a way that will be listened to, and in the coming weeks I&#8217;ll deal with </p>
<p>corporations and conventions.</p>
]]></content:encoded>
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		<item>
		<title>Adobe Flash to add DRM 

Restrictions</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,7/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,7/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 06:29:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">/?p=7</guid>
		<description><![CDATA[&#8220;The immense 
popularity of sites like YouTube has unexpectedly turned Flash Video (FLV) into one of the de facto 
standards for Internet video. The proliferation of sites using FLV has been a boon for remix culture, 
as creators made their own versions of posted videos. And thus far there has been no widespread DRM 
standard [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;The immense </p>
<p>popularity of sites like YouTube has unexpectedly turned Flash Video (FLV) into one of the de facto </p>
<p>standards for Internet video. The proliferation of sites using FLV has been a boon for remix culture, </p>
<p>as creators made their own versions of posted videos. And thus far there has been no widespread DRM </p>
<p>standard for Flash or Flash Video formats; indeed, most sites that use these formats simply serve </p>
<p>standalone, unencrypted files via ordinary web servers.<br />
<br />
Now Adobe, which controls Flash and </p>
<p>Flash Video, is trying to change that with the introduction of DRM restrictions in version 9 of its </p>
<p>Flash Player and version 3 of its Flash Media Server software. Instead of an ordinary web download, </p>
<p>these programs can use a proprietary, secret Adobe protocol to talk to each other, encrypting the </p>
<p>communication and locking out non-Adobe software players and video tools. We imagine that Adobe has no </p>
<p>illusions that this will stop copyright infringement &#8212; any more than dozens of other DRM systems have </p>
<p>done so &#8212; but the introduction of encryption does give Adobe and its customers a powerful new legal </p>
<p>weapon against competitors and ordinary users through the Digital Millennium Copyright Act </p>
<p>(DMCA).&#8221;<br />
<a href="http://www.eff.org/deeplinks/2008/02/adobe-pushes-drm-flash">Electronic Frontier </p>
<p>Foundation</a><br />
<br />
This will definitely have some implications for AMV creators and those making </p>
<p>smash up videos for YouTube. Many AMV producers use an Adobe product, so I wonder what this might mean </p>
<p>for Adobe Premier?<br />
<br />
For those of you who haven&#8217;t heard about DRM, its &#8220;&#8221;digital rights </p>
<p>management,&#8221; or DRM (aka content or copy protection), to lock up your digital media. These DRM </p>
<p>technologies do nothing to stop copyright pirates, but instead end up interfering with fans&#8217; lawful </p>
<p>use of music, movies, and other copyrighted works. DRM can prevent you from making back ups of your </p>
<p>DVDs and music downloaded from online stores, recording your favorite TV programs, using the portable </p>
<p>media player of your choice, remixing clips of movies into your own home movies, and much more.&#8221; - <a </p>
<p>href="http://www.eff.org/issues/drm">Electronic Frontier Foundation</a>
</p>
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		<item>
		<title>Just what my house was missing!</title>
		<link>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,6/</link>
		<comments>http://otakusurvivalguide.com/component/option,com_mojo/Itemid,60/p,6/#comments</comments>
		<pubDate>Sat, 23 Feb 2008 00:01:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">/?p=6</guid>
		<description><![CDATA[
Courtesy of Boing Boing, it makes me 
realize that old school video games would translate very nicely into mosaic form.  It’s a wonder we 
don&#8217;t see more of this in artist alleys/art shows.

]]></description>
			<content:encoded><![CDATA[<p><img </p>
<p>src="http://otakusurvivalguide.com/images/mariotabletop.bmp" alt="" /></p>
<p>Courtesy of <a </p>
<p>href="http://www.boingboing.net/2008/02/22/mario-mosaic-coffeet.html">Boing Boing</a>, it makes me </p>
<p>realize that old school video games would translate very nicely into mosaic form.  It’s a wonder we </p>
<p>don&#8217;t see more of this in artist alleys/art shows.
</p>
]]></content:encoded>
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